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NYIP offers three distance education multi-media courses for photographers looking to improve their skills while working from home at their own pace.

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Entries in Photography (22)

Thursday
Feb162012

Our Favorite 3 Photographs - Michelin Man, Red Bears & Flying Men

Current events and the art world have been bursting with fantastic photographic images lately, and we've selected our Favorite 3 Photos that have come to our attention during the past week. Click on the links or the photos to see the fascinating behind-the-scenes stories.

 

  • Takanori Alba's Hotel de Michelin
  • Jordanian Valentine's Day Faces 
  • New York City Men-in-the-Air Stunt

     

  • Have you ever in your life seen something so fantastic! Japanese sculpture/artist fantasy worlds are brought to life in 3D. Photos and Art: Takanori Alba

     

    The woman's somber face surrounded by smiling soft toys for Valentine's Day - and the pops of red and black - grabs visual attention. Photo: REUTERS / Majed Jaber

     

    Many people in NYC saw three men flying through the air, but these remote-controlled "flying men" were actually PR stunts to gain attention for a new movie launch (it worked!). Photo: Thinkmodo

     


    We're the New York Institute of Photographya distance education school teaching photography since 1910 - over 100 years of knowledge and experience. Listen to the following podcast to learn more about who we are and what we do.

    Audio Link: WHAT IS THE NEW YORK INSTITUTE OF PHOTOGRAPHY? [20:58M]


    Wednesday
    Jan182012

    NYIP Graduate Profile: Sam Coran

    Photo: Sam Coran
    Sam Coran has taken on a number of odd jobs ... from being part of a service crew in a restaurant, being a tour guide, a salesman, a call center agent, and even a receptionist for a fitness center. Sam says that before becoming a photographer, he didn’t know what to do with his life.

    He was studying Social Sciences at the University of the Philippines in Baguio, but needed to quit in his third year due to financial reasons, which somewhat added to his overall listlessness.

    In 2008, from his scrimping and saving, he was able to buy his first DSLR and instantly fell in love with the craft. With a newfound sense of determination, Sam enrolled in the self-paced study program with The New York Institute of Photography to study the fundamentals of photography. Then after just a year, with growing success in his field, he quit his day job to accommodate a growing number of clients. Sam is no longer rudderless in life. As he puts it now:

    Photography for me, is my life. I am nothing without it.

    Photo: Sam Coran

    Photo: Sam Coran

    Photo: Sam Coran

    Photo: Sam Coran

     

     


    We're the New York Institute of Photographya distance education school teaching photography since 1910 - over 100 years of knowledge and experience. Listen to the following podcast to learn more about who we are and what we do.

    Audio Link: WHAT IS THE NEW YORK INSTITUTE OF PHOTOGRAPHY? [20:58M]


    Wednesday
    Nov302011

    Photographer Meets Music Video

    Photo by Jeremy Cowart

    Still photography brings a moving dimension to our Video Pick this week. Jeremy Cowart's "They Will See God," is a moving tribute to individuals who have survived difficult life struggles and natural disasters. Born of the Nashville photographer's experience taking pictures of natural disasters in Haiti and Franklin, TN, Cowart's photographs capture the tragedy of devastation and the exhilaration of the human spirit. 

    This socially conscious photographer is not alone, by the way. Check out Help-Portrait - they're a worldwide groundswell of photographers who give of their time, gear, and talent to give back to people in need.

     

    Join the conversation on Twitter.  Follow along with Facebook.

    Tune in on YouTube.  Visit the Official Site at NYIP.com.


    Wednesday
    Jul132011

    Transform the iPad into a Mobile Tabletop Studio

    Editor's Note: The moment I heard how NYI Student Tom Freudenstein was using his iPad as a lightbox, I knew it would be something that would interest our readers.  Tom was gracious enough to write about his experience creating a mobile tabletop studio. The results are stunning. - CC

    I was fascinated by the lecture on light tables in the NYI Pro Course and then had the idea to use the iPad 2 as a mini light table. My camera set up was the Canon 50d with a 24-70mm 1:2.8 L lens. Because of the rather long exposure times (between 1/3 and 10 seconds), I needed a tripod and a 2 second shutter delay to avoid shaking the camera when pressing the release button. All pictures are large JPEG and the ISO is set to 100. I started with a couple of pictures taken in P mode and then used these values as the basis for manual changes to aperture and time.

     

    The application Soft Box Pro can be obtained through the App Store. It is free for iPhones and $3 USD (2.39 Euro) for the iPad. The app offers a variety of light options. For my setup, I used the simple white full square light and varied the intensity from time to time. I did not want to place any objects directly on the iPad. Instead, I took the glass out of a picture frame, the size of the glass being a little larger than the iPad. I placed four small wooden logs (from my sons toy drawer) around the Pad and placed the glass on top. There was my mini light table. 
     

    I bought an image cube backdrop through ebay (http://www.imagecube.de/). It is a small cardboard backdrop that can be set up on the dining table or even in a cluttered hobby room in the basement.
    The objects I chose for my still life photo were a glass of dry sherry, a few grapes and a cork - very simpe. I added the bottle towards the end of the session. I tried to make the grapes look fesh and wet by adding drops of water in some pictures. I followed the instructions of the Pro Course and first applied some glycerin and then sprayed the water.
     

    I came across a number of problems. My first setup was on the dining table. I found too many reflections from various windows to be a little disturbing. I could close the shades on one side, but not on the other. I have played around with a reflector and two household flashlights. One of them was directed at the backdrop, which created a nice separation but did not really help with the reflections. Then, I relocated the set to the hobby room in the basement. Because of some reconstruction, we store a lot of stuff there and it is absolutely cluttered and full. But only one window which could be covered with a dark cloth. Now I had full control of the lighting. The iPad light from below, two flashlights and a standard floor lamp did the job.

     

    Another problem was the small size of the iPad and the backdrop. Depending on the angle of the camera, the frame included the iPad or the wood logs or something else I did not want to have in the picture. This is clearly a disadvantage of the small setup and a problem that does not exist with a pro light table. I moved the camera fairly close and zoomed in to solve this.
     

     Finally, the depth of field was an issue. To make the background nice and soft I first used a wide aperture of 2.8. The depth of field often was too shallow, which was nice in some pictures but not in others. The other extreme at f22 created a sharp and crisp image, but also showed every little piece of dust, dirt or roughness of the backdrop. I finally ended up with f 6.3 as a middle ground that felt and looked right to me. I really like the "sparkle" at the side of the sherry glass, which I have created by pointing a flashlight from behind the set at the glass and using a small aperture.

     

     

    To see more of Tom's photography, visit online here.

     

    Thursday
    Jun092011

    Photo Marketing 101: Get Social!

    Are you a photographer, or are you a marketer? If you’re familiar with my Photo Marketing 101 blog series, you’ll know that I want you to tell me that you’re both. In today’s world, everyone is a marketer. It’s up to you to market yourself, and the internet makes that easier to do than ever before.

    In Part 3 of this series, we discussed different ways to ensure that your website gets the attention that it deserves. One tool that is perfect for driving traffic to your website, and reaching a wider audience online, is social media.

    Social media has created a whole new side of the internet that marketers all over are struggling to understand.  Here is what we know:

    • Social media is exciting
    • Social media is open
    • Social media creates new opportunities for communication, networking, purchasing, sharing, and – of course – marketing

    It’s time you get involved. If you already have active social media accounts, congratulations. But your job is not done, so stick with me.

    First, it’s important that you have a strategy. How are you going to use social media to drive visitors to your website, interest in your services, and new business?

    Linking is vital. Use lots of them.  Link to things you find interesting, link to other people in your area, and link to your own website as often as possible.  These links will bring new visitors to your site, and will tell search engines that there is interest in your website.

    Don’t dominate the conversation, join it. Share things that you think people will enjoy. Answer questions, and create a dialogue with people you follow and people who follow you. The more active you are, and not just posting links to your site, the more respected you will be in the online community.

    Facebook and Twitter are two places to start. They are the most popular social networks, and will open your brand up to the largest populations. But for photographers, there are other social media sites worth checking out. Flickr is the most popular photo sharing service outside of Facebook, and YouTube is a great place to hang out if you produce video slideshows of your work. Take some time to check out multiple networks, but don’t spread yourself too thin.  Pick 3 or 4 of them, and visit them often so as not to look stale.

    It’s important to keep your message consistent across all platforms. As I mentioned in Part 1 of this series, you should think of yourself as a brand. Whatever that brand is should be clear in each one of your social media profiles.

    And of course, just as you should link to your website from your social media accounts, you should include links on your website to your social media accounts. If a new visitor to your site likes what they see but don’t purchase right away, an easy option to follow you on twitter might lead to new business further down the line.

    Next time we’re together, I will take a deeper dive into social media, and offer ideas on specific promotions you can try to create interest in your photography.

    Homework: This week’s assignment is simple. If you’ve got a Twitter account, share your username below. If not, create one at http://www.twitter.com/ and share your username in the comments below.

    I’ll start: @nyip & @zheller